The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 44
To them modern painting and music are sheer “ farce ” - in the bad sense of the
word - and they will not be convinced that to be a farce may be precisely the
mission and the virtue of art . A “ farce ” in the bad sense of the word it would be if
the ...
To them modern painting and music are sheer “ farce ” - in the bad sense of the
word - and they will not be convinced that to be a farce may be precisely the
mission and the virtue of art . A “ farce ” in the bad sense of the word it would be if
the ...
Pagina 140
José Ortega y Gasset. a juxtaposition of life with something which life can
definitely set aside . He half sees that life is in itself ethical , in a more basic sense
of the word , that in man the imperative forms a part of his own reality . The man
whose ...
José Ortega y Gasset. a juxtaposition of life with something which life can
definitely set aside . He half sees that life is in itself ethical , in a more basic sense
of the word , that in man the imperative forms a part of his own reality . The man
whose ...
Pagina 152
Once the idea that life is a symbol is accepted , one thing is as good as another :
it is as good to sleep with “ Christelchen ” as , in the " ideal - Pygmalionic ” : sense
, to marry a statue in the Palazzo Caraffa Colobrano . But destiny is precisely ...
Once the idea that life is a symbol is accepted , one thing is as good as another :
it is as good to sleep with “ Christelchen ” as , in the " ideal - Pygmalionic ” : sense
, to marry a statue in the Palazzo Caraffa Colobrano . But destiny is precisely ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth