The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 21
... sense whatever , which are unintelligible and therefore nothing . One only needs to assemble un- connected words or to draw random lines . ' But to 6. An attempt has been made in this extreme sense- in certain works by Picasso - but it ...
... sense whatever , which are unintelligible and therefore nothing . One only needs to assemble un- connected words or to draw random lines . ' But to 6. An attempt has been made in this extreme sense- in certain works by Picasso - but it ...
Pagina 44
... sense of the word - and they will not be convinced that to be a farce may be precisely the mission and the virtue of art . A " farce ” in the bad sense of the word it would be if the modern artist pretended to equal status with the ...
... sense of the word - and they will not be convinced that to be a farce may be precisely the mission and the virtue of art . A " farce ” in the bad sense of the word it would be if the modern artist pretended to equal status with the ...
Pagina 140
... sense of the word , that in man the imperative forms a part of his own reality . The man whose entelechy is , let us say , to be a thief has to be one , even though his moral ideas are opposed to it , suppress his unchangeable destiny ...
... sense of the word , that in man the imperative forms a part of his own reality . The man whose entelechy is , let us say , to be a thief has to be one , even though his moral ideas are opposed to it , suppress his unchangeable destiny ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth