The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 11
... sensibility ; all they require is human sensibility and willingness to sympathize with our neighbor's joys and worries . No wonder that nineteenth cen- tury art has been so popular ; it is made for the masses inasmuch as it is not art ...
... sensibility ; all they require is human sensibility and willingness to sympathize with our neighbor's joys and worries . No wonder that nineteenth cen- tury art has been so popular ; it is made for the masses inasmuch as it is not art ...
Pagina 18
... sensibility . Over 4. This new sensibility is a gift not only of the artist proper but also of his audience . When I said above that the new art is an art for artists I understood by " artists " not only those who produce this art but ...
... sensibility . Over 4. This new sensibility is a gift not only of the artist proper but also of his audience . When I said above that the new art is an art for artists I understood by " artists " not only those who produce this art but ...
Pagina 38
... sensibility begins with seeking the living form and then drops it , as though affrighted and nauseated , and resorts to abstract signs , the last residues of cosmic or animal forms . The serpent is stylized into the meander , the sun ...
... sensibility begins with seeking the living form and then drops it , as though affrighted and nauseated , and resorts to abstract signs , the last residues of cosmic or animal forms . The serpent is stylized into the meander , the sun ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth