The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 11
... sensibility ; all they require is human sensibility and willingness to sympathize with our neighbor's joys and worries . No wonder that nineteenth cen- tury art has been so popular ; it is made for the masses inasmuch as it is not art ...
... sensibility ; all they require is human sensibility and willingness to sympathize with our neighbor's joys and worries . No wonder that nineteenth cen- tury art has been so popular ; it is made for the masses inasmuch as it is not art ...
Pagina 19
... sensibility represents the generic fact and the source , as it were , from which the former spring . This sensibility it is worth while to define . And when we seek to ascertain the most general and most characteristic feature of modern ...
... sensibility represents the generic fact and the source , as it were , from which the former spring . This sensibility it is worth while to define . And when we seek to ascertain the most general and most characteristic feature of modern ...
Pagina 38
... sensibility begins with seeking the living form and then drops it , as though affrighted and nauseated , and resorts to abstract signs , the last residues of cosmic or animal forms . The serpent is stylized into the meander , the sun ...
... sensibility begins with seeking the living form and then drops it , as though affrighted and nauseated , and resorts to abstract signs , the last residues of cosmic or animal forms . The serpent is stylized into the meander , the sun ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth