The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 84
To achieve this , the author must begin by luring us into the closed precinct that is his novel and then keep us there cut off from any possible retreat to the real space we left behind . The first is easy 84.
To achieve this , the author must begin by luring us into the closed precinct that is his novel and then keep us there cut off from any possible retreat to the real space we left behind . The first is easy 84.
Pagina 112
Between the eye and the bodies is interposed the most immediate object : hollow space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour .
Between the eye and the bodies is interposed the most immediate object : hollow space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour .
Pagina 113
The premises formulated in our first paragraphs may seem to imply that the evolution had terminated when we arrive at the painting of hollow space . The point of view , transforming itself from the multiple and proximate to the single ...
The premises formulated in our first paragraphs may seem to imply that the evolution had terminated when we arrive at the painting of hollow space . The point of view , transforming itself from the multiple and proximate to the single ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow German gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason remains seems seen sense sensibility soul space speak stand style things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |