The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 84
... us the gift of transmigration ! To achieve this , the author must begin by luring us into the closed precinct that is his novel and then keep us there cut off from any possible retreat to the real space we left behind . The first is easy ...
... us the gift of transmigration ! To achieve this , the author must begin by luring us into the closed precinct that is his novel and then keep us there cut off from any possible retreat to the real space we left behind . The first is easy ...
Pagina 112
... space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour . The painter has thrown his head back , half - closed his eyelids , and between ...
... space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour . The painter has thrown his head back , half - closed his eyelids , and between ...
Pagina 113
... space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the subject ...
... space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the subject ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth