The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 84
To achieve this , the author must begin by luring us into the closed precinct that is his novel and then keep us there cut off from any possible retreat to the real space we left behind . The first is easy 84.
To achieve this , the author must begin by luring us into the closed precinct that is his novel and then keep us there cut off from any possible retreat to the real space we left behind . The first is easy 84.
Pagina 112
Between the eye and the bodies is in- terposed the most immediate object : hollow space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour .
Between the eye and the bodies is in- terposed the most immediate object : hollow space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour .
Pagina 113
The premises formulated in our first paragraphs may seem to imply that the evolution had termi- nated when we arrive at the painting of hollow space . The point of view , transforming itself from the multiple and proximate to the single ...
The premises formulated in our first paragraphs may seem to imply that the evolution had termi- nated when we arrive at the painting of hollow space . The point of view , transforming itself from the multiple and proximate to the single ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth