The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 42
For what is art , concretely speak- ing , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which conceals surfeit with art and hatred of it ? But , how can such a thing come about ?
For what is art , concretely speak- ing , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which conceals surfeit with art and hatred of it ? But , how can such a thing come about ?
Pagina 82
In the realm of the novel nothing of the kind exists ( we do not now speak of serials or of scientific adventure stories in the manner of Poe , Wells , etc. ) ; here life is precisely daily life . It is in reporting the wonders of the ...
In the realm of the novel nothing of the kind exists ( we do not now speak of serials or of scientific adventure stories in the manner of Poe , Wells , etc. ) ; here life is precisely daily life . It is in reporting the wonders of the ...
Pagina 159
But to think , to speak , is always to exaggerate . By speaking , by thinking , we undertake to clarify things , and that forces us to exacerbate them , dislocate them , schematize them .
But to think , to speak , is always to exaggerate . By speaking , by thinking , we undertake to clarify things , and that forces us to exacerbate them , dislocate them , schematize them .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth