The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 42
... speak- ing , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which ... speaking Latin " ; but in the fifth century Apollinaris Sidonius resorted to “ latialiter insusurrare . ” For too many ...
... speak- ing , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which ... speaking Latin " ; but in the fifth century Apollinaris Sidonius resorted to “ latialiter insusurrare . ” For too many ...
Pagina 59
... speak- ing , not have changed ; its present descriptive , or rather presentative , form would merely be the means that had to be used in order to produce in a limp sensibility the same effect which in more springy souls had been ...
... speak- ing , not have changed ; its present descriptive , or rather presentative , form would merely be the means that had to be used in order to produce in a limp sensibility the same effect which in more springy souls had been ...
Pagina 147
... speak of life , every word must be completed by the appropriate index of individ- uation . This deplorable necessity is indeed a part of man's destiny as man : to live in particular he has to speak in general . Goethe's vocation ! If ...
... speak of life , every word must be completed by the appropriate index of individ- uation . This deplorable necessity is indeed a part of man's destiny as man : to live in particular he has to speak in general . Goethe's vocation ! If ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth