The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 41
... stands in marked contrast to the irremediable traditional- ism of the Orient . A good deal of what I have called dehumaniza- tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion ...
... stands in marked contrast to the irremediable traditional- ism of the Orient . A good deal of what I have called dehumaniza- tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion ...
Pagina 167
... stand inside himself - or , to use a magnificent word which exists only in Spanish , that man can ensimismarse . Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies ...
... stand inside himself - or , to use a magnificent word which exists only in Spanish , that man can ensimismarse . Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies ...
Pagina 168
... stand within itself . Hence when things cease to threaten it or caress it ; when they give it a holiday ; in short , when the other ceases to move it and manage it , the poor animal has virtually to cease to exist , that is : it goes to ...
... stand within itself . Hence when things cease to threaten it or caress it ; when they give it a holiday ; in short , when the other ceases to move it and manage it , the poor animal has virtually to cease to exist , that is : it goes to ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth