The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 4
... style , are recognizable in the several branches of art . The young musician - himself unaware of it - strives to realize in his medium the same aesthetic values as his contemporary colleagues - the poet , the painter , the playwright ...
... style , are recognizable in the several branches of art . The young musician - himself unaware of it - strives to realize in his medium the same aesthetic values as his contemporary colleagues - the poet , the painter , the playwright ...
Pagina 23
... style . " But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow ...
... style . " But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow ...
Pagina 42
... style has a blunting and tiring effect . In his Principles of Art History ; the Problem of the De- velopment of Style in Later Art ( London : Bell , 1932 ) Heinrich Wölfflin mentions the power of boredom which has ever again mobilized ...
... style has a blunting and tiring effect . In his Principles of Art History ; the Problem of the De- velopment of Style in Later Art ( London : Bell , 1932 ) Heinrich Wölfflin mentions the power of boredom which has ever again mobilized ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth