The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 4
One and the same inspiration , one and the same biological style , are recognizable in the several branches of art . The young musician - himself unaware of it - strives to realize in his medium the same aesthetic values as his ...
One and the same inspiration , one and the same biological style , are recognizable in the several branches of art . The young musician - himself unaware of it - strives to realize in his medium the same aesthetic values as his ...
Pagina 23
For this road is called " will to style . " But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing .
For this road is called " will to style . " But to stylize means to deform reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing .
Pagina 42
Mere repetition of a style has a blunting and tiring effect . In his Principles of Art History ; the Problem of the De- velopment of Style in Later Art ( London : Bell , 1932 ) Heinrich Wölfflin mentions the power of boredom which has ...
Mere repetition of a style has a blunting and tiring effect . In his Principles of Art History ; the Problem of the De- velopment of Style in Later Art ( London : Bell , 1932 ) Heinrich Wölfflin mentions the power of boredom which has ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth