The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 22
... substance of its own is a feat which presupposes nothing less than genius . " Reality " constantly waylays the artist to prevent his flight . Much cunning is needed to effect the sublime escape . A reversed Odysseus , he must free ...
... substance of its own is a feat which presupposes nothing less than genius . " Reality " constantly waylays the artist to prevent his flight . Much cunning is needed to effect the sublime escape . A reversed Odysseus , he must free ...
Pagina 62
... SUBSTANCE Our interest has shifted from the plot to the figures , from actions to persons . Now , this trans- ference - let it be noted parenthetically - finds a counterpart in what has , these last twenty years , been happening in ...
... SUBSTANCE Our interest has shifted from the plot to the figures , from actions to persons . Now , this trans- ference - let it be noted parenthetically - finds a counterpart in what has , these last twenty years , been happening in ...
Pagina 118
... substance reap- pears for a moment in Leibniz . These substances are no longer corporeal principles , but quite the reverse : the monads are subjects , and the role of each - a curious symptom - is none other than to represent a ...
... substance reap- pears for a moment in Leibniz . These substances are no longer corporeal principles , but quite the reverse : the monads are subjects , and the role of each - a curious symptom - is none other than to represent a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth