The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 63
... theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French theater and the ...
... theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French theater and the ...
Pagina 64
... theater to Greek and Roman theater . ( Seneca's influence on the classical French drama can hardly be overrated . ) The aristocratic audience enjoys the exemplary and normative character of the tragic happenings . They go to the theater ...
... theater to Greek and Roman theater . ( Seneca's influence on the classical French drama can hardly be overrated . ) The aristocratic audience enjoys the exemplary and normative character of the tragic happenings . They go to the theater ...
Pagina 67
... theater than all the books I have read.2 Inflammable matter the Spanish theater was - that is to say , a thing as distinct as possible from the norm of perfection the French theater aspired to be . Not for the sake of watching noble ...
... theater than all the books I have read.2 Inflammable matter the Spanish theater was - that is to say , a thing as distinct as possible from the norm of perfection the French theater aspired to be . Not for the sake of watching noble ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth