The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 173
... thought , in any sufficing sense of the word , was given to man once and for all , so that without further ado he finds it at his disposal , as a perfect faculty or power , ready to be employed and exercised , as flight was given to the ...
... thought , in any sufficing sense of the word , was given to man once and for all , so that without further ado he finds it at his disposal , as a perfect faculty or power , ready to be employed and exercised , as flight was given to the ...
Pagina 179
... thought to man as an innate quality - which at first seems to be a hom- age and even a compliment to our species - is , strictly speaking , an injustice . Because there is no such gift , no such gratuity ; thought , on the con- trary ...
... thought to man as an innate quality - which at first seems to be a hom- age and even a compliment to our species - is , strictly speaking , an injustice . Because there is no such gift , no such gratuity ; thought , on the con- trary ...
Pagina 180
... thought , that there existed in the universe that strange reality known as thought ( until then man had not thought , or , like the bourgeois gentil- homme , had done so without knowing it ) , they felt such an enthusiasm for ideas that ...
... thought , that there existed in the universe that strange reality known as thought ( until then man had not thought , or , like the bourgeois gentil- homme , had done so without knowing it ) , they felt such an enthusiasm for ideas that ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth