The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 41
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
Pagina 42
... tion as a whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin to the odium professionis of medieval monks - that aversion , after long years of ...
... tion as a whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin to the odium professionis of medieval monks - that aversion , after long years of ...
Pagina 43
... tion is obvious and must be strongly stressed . It definitely indicates that modern art is of an am- biguous nature which , as a matter of fact , does not surprise us ; for ambiguous have been all important issues of these current years ...
... tion is obvious and must be strongly stressed . It definitely indicates that modern art is of an am- biguous nature which , as a matter of fact , does not surprise us ; for ambiguous have been all important issues of these current years ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth