The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 41
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
... tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault stands in inverse proportion to the distance . Keenest con- tempt is felt for ...
Pagina 91
... tion , as an exploitable mine , the novel may be finished . The large veins , accessible to any diligent hand , are worked out . What remains are hidden deposits and perilous ventures into the depths where , perchance , the most ...
... tion , as an exploitable mine , the novel may be finished . The large veins , accessible to any diligent hand , are worked out . What remains are hidden deposits and perilous ventures into the depths where , perchance , the most ...
Pagina 109
... tion of the picture is painted without their inter- vention . Compared to them , chiaroscuro signifies a radical and more profound innovation . When the eye of the painter seeks the body of things , the objects placed in the painted ...
... tion of the picture is painted without their inter- vention . Compared to them , chiaroscuro signifies a radical and more profound innovation . When the eye of the painter seeks the body of things , the objects placed in the painted ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth