The Dehumanization of Art, and Other Writings on Art and Culture |
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Risultati 1-3 di 14
Pagina 12
For about twenty years now the most alert young people of two successive
generations - in Berlin , Paris , London , New York , Rome , Madrid - have found
themselves faced with the undeniable fact that they have no use for traditional art
...
For about twenty years now the most alert young people of two successive
generations - in Berlin , Paris , London , New York , Rome , Madrid - have found
themselves faced with the undeniable fact that they have no use for traditional art
...
Pagina 41
Or to put it differently , an ever growing mass of traditional styles hampers the
direct and original communication between the nascent artist and the world
around him . In this case one of two things may happen . Either tradition stifles all
...
Or to put it differently , an ever growing mass of traditional styles hampers the
direct and original communication between the nascent artist and the world
around him . In this case one of two things may happen . Either tradition stifles all
...
Pagina 125
We find the future bearing down on us rather harder than it bore down on
previous generations , we look back , according to our wont , for the traditional
weapons ; but when we take them up , we find that they are rubber daggers ,
inadequate ...
We find the future bearing down on us rather harder than it bore down on
previous generations , we look back , according to our wont , for the traditional
weapons ; but when we take them up , we find that they are rubber daggers ,
inadequate ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth