The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 41
... traditional- ism of the Orient . A good deal of what I have called dehumaniza- tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault ...
... traditional- ism of the Orient . A good deal of what I have called dehumaniza- tion and disgust for living forms is inspired by just such an aversion against the traditional interpreta- tion of realities . The vigor of the assault ...
Pagina 78
... traditional order of mental faculties . Scholasticism taught : ignoti nulla cupido - what is unknown is not desired . The truth is rather the opposite : Only that which has been in some way desired or , to be exact , which has previ ...
... traditional order of mental faculties . Scholasticism taught : ignoti nulla cupido - what is unknown is not desired . The truth is rather the opposite : Only that which has been in some way desired or , to be exact , which has previ ...
Pagina 125
... traditional weapons ; but when we take them up , we find that they are rubber daggers , inade- quate gestures , theatrical " props " which shatter on the hard bronze of our future , of our problems . And suddenly we feel disinherited ...
... traditional weapons ; but when we take them up , we find that they are rubber daggers , inade- quate gestures , theatrical " props " which shatter on the hard bronze of our future , of our problems . And suddenly we feel disinherited ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth