The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 12
... people of two successive generations - in Berlin , Paris , Lon- don , New York , Rome , Madrid - have found them- selves faced with the undeniable fact that they have no use for traditional art ; moreover , that they detest it .
... people of two successive generations - in Berlin , Paris , Lon- don , New York , Rome , Madrid - have found them- selves faced with the undeniable fact that they have no use for traditional art ; moreover , that they detest it .
Pagina 41
Or to put it differently , an ever grow- ing mass of traditional styles hampers the direct and original communication between the nascent artist and the world around him . In this case one of two things may happen .
Or to put it differently , an ever grow- ing mass of traditional styles hampers the direct and original communication between the nascent artist and the world around him . In this case one of two things may happen .
Pagina 125
We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take them up , we find that they are rubber daggers ...
We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take them up , we find that they are rubber daggers ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation young youth