The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 35
A traditional painter painting a portrait claims to have got hold of the real person
when , in truth and at best , he has set down on the canvas a schematic selection
, arbitrarily decided on by his v mind , from the innumerable traits that make a ...
A traditional painter painting a portrait claims to have got hold of the real person
when , in truth and at best , he has set down on the canvas a schematic selection
, arbitrarily decided on by his v mind , from the innumerable traits that make a ...
Pagina 152
... be it authentic or false . A man cannot live without justifying his life to himself ,
he cannot even take a single step . ) Hence the myth of symbolism . I am not
discussing its truth or lack of truth in any of its many possible senses . I am
interested ...
... be it authentic or false . A man cannot live without justifying his life to himself ,
he cannot even take a single step . ) Hence the myth of symbolism . I am not
discussing its truth or lack of truth in any of its many possible senses . I am
interested ...
Pagina 174
Far from thought having been bestowed upon man , the truth is - a truth which I
cannot now properly argue but can only state - that he has continually been
creating thought , making it little by little , by dint of a discipline , a culture or
cultivation ...
Far from thought having been bestowed upon man , the truth is - a truth which I
cannot now properly argue but can only state - that he has continually been
creating thought , making it little by little , by dint of a discipline , a culture or
cultivation ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth