The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 35
... truth and at best , he has set down on the canvas a schematic selection , arbitrarily decided on by his mind , from ... truth and - b nothing but the truth , and failure would no longer be inevitable . In foregoing to emulate reality the ...
... truth and at best , he has set down on the canvas a schematic selection , arbitrarily decided on by his mind , from ... truth and - b nothing but the truth , and failure would no longer be inevitable . In foregoing to emulate reality the ...
Pagina 59
... truth in Fiedler's assertion that the aim of painting is to furnish a fuller and completer view of things than can be obtained in the ordinary intercourse with them . The same , I believe , applies to the novel . In its beginnings the ...
... truth in Fiedler's assertion that the aim of painting is to furnish a fuller and completer view of things than can be obtained in the ordinary intercourse with them . The same , I believe , applies to the novel . In its beginnings the ...
Pagina 186
... truth . Without a certain margin of tran- quillity , truth succumbs . Hence , faced with the incitements to alteración which today reach us from every point of the com- pass and from every department of life , I believed that I should ...
... truth . Without a certain margin of tran- quillity , truth succumbs . Hence , faced with the incitements to alteración which today reach us from every point of the com- pass and from every department of life , I believed that I should ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth