The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 35
... truth and at best , he has set down on the canvas a schematic selection , arbitrarily decided on by his mind , from ... truth and nothing but the truth , and failure would no longer be inevitable . In foregoing to emulate reality the ...
... truth and at best , he has set down on the canvas a schematic selection , arbitrarily decided on by his mind , from ... truth and nothing but the truth , and failure would no longer be inevitable . In foregoing to emulate reality the ...
Pagina 152
... truth or lack of truth in any of its many possible senses . I am interested solely in its genesis and its vital truth . " I have regarded my motives and my efforts as merely symbolical , and at bottom it was a matter of comparative ...
... truth or lack of truth in any of its many possible senses . I am interested solely in its genesis and its vital truth . " I have regarded my motives and my efforts as merely symbolical , and at bottom it was a matter of comparative ...
Pagina 174
... truth is - a truth which I cannot now properly argue but can only state - that he has continually been creating thought , making it little by little , by dint of a discipline , a culture or cultiva- tion , a millennial effort over many ...
... truth is - a truth which I cannot now properly argue but can only state - that he has continually been creating thought , making it little by little , by dint of a discipline , a culture or cultiva- tion , a millennial effort over many ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth