The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 42
... turn against Art itself ? For what is art , concretely speak- ing , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which conceals surfeit with art and hatred of it ? But , how can such a ...
... turn against Art itself ? For what is art , concretely speak- ing , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which conceals surfeit with art and hatred of it ? But , how can such a ...
Pagina 53
... of a man of genius * Copyright , 1948 , by Princeton University Press . Re- printed , 1956 , by permission of the Princeton University Press . would at any time automatically turn the tide . Better DECLINE OF THE NOVEL ...
... of a man of genius * Copyright , 1948 , by Princeton University Press . Re- printed , 1956 , by permission of the Princeton University Press . would at any time automatically turn the tide . Better DECLINE OF THE NOVEL ...
Pagina 106
... turn the center of vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is ...
... turn the center of vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth