The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 42
... turn against Art itself ? For what is art , concretely speak- ing , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which conceals surfeit with art and hatred of it ? But , how can such a ...
... turn against Art itself ? For what is art , concretely speak- ing , if not such art as has been made up to now ? Should that enthusiasm for pure art be but a mask which conceals surfeit with art and hatred of it ? But , how can such a ...
Pagina 49
... turn encompasses the greatest number of particular facts - like a loom which with one stroke interlaces a thousand threads . I have been moved exclusively by the delight of trying to understand - and neither by ire nor by enthusiasm . I ...
... turn encompasses the greatest number of particular facts - like a loom which with one stroke interlaces a thousand threads . I have been moved exclusively by the delight of trying to understand - and neither by ire nor by enthusiasm . I ...
Pagina 83
... turn each reader into a temporal " provincial " is the great se- cret of the novelist . Instead of widening the hori- zon - what novelistic horizon could be wider and richer than the humblest real one ? -he must con- tract and limit it ...
... turn each reader into a temporal " provincial " is the great se- cret of the novelist . Instead of widening the hori- zon - what novelistic horizon could be wider and richer than the humblest real one ? -he must con- tract and limit it ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth