The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 6
... understands it , he feels superior to it ; and there is no reason for indignation . But when his dislike is due to his failure to understand , he feels vaguely humiliated and this rankling sense of inferiority must be counterbalanced by ...
... understands it , he feels superior to it ; and there is no reason for indignation . But when his dislike is due to his failure to understand , he feels vaguely humiliated and this rankling sense of inferiority must be counterbalanced by ...
Pagina 12
... understand it and those who do not understand it - that is to say , those who are artists and those who are not . The new art is an artistic art . I do not propose to extol the new way in art or to condemn the old . My purpose is to ...
... understand it and those who do not understand it - that is to say , those who are artists and those who are not . The new art is an artistic art . I do not propose to extol the new way in art or to condemn the old . My purpose is to ...
Pagina 137
... understand its meaning ? People have gone on talking , despite my pro- tests , about my vitalism , but no one has ... understand it , can understand the Critique of Vital Reason which was announced in that book ? As I have kept silence ...
... understand its meaning ? People have gone on talking , despite my pro- tests , about my vitalism , but no one has ... understand it , can understand the Critique of Vital Reason which was announced in that book ? As I have kept silence ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth