The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 89
... universe . To enjoy a novel we must feel surrounded by it on all sides ; it cannot exist as a more or less conspicuous thing among the rest of things . Precisely because it is a preeminently real- istic genre it is incompatible with ...
... universe . To enjoy a novel we must feel surrounded by it on all sides ; it cannot exist as a more or less conspicuous thing among the rest of things . Precisely because it is a preeminently real- istic genre it is incompatible with ...
Pagina 117
... universe ought to be translated onto canvas , that is , what class of phenomena are pic- torially essential . The philosopher , for his part , asks what class of objects is fundamental . A philosophical system is an effort to ...
... universe ought to be translated onto canvas , that is , what class of phenomena are pic- torially essential . The philosopher , for his part , asks what class of objects is fundamental . A philosophical system is an effort to ...
Pagina 180
... universe that strange reality known as thought ( until then man had not thought , or , like the bourgeois gentil- homme , had done so without knowing it ) , they felt such an enthusiasm for ideas that they conferred upon intelligence ...
... universe that strange reality known as thought ( until then man had not thought , or , like the bourgeois gentil- homme , had done so without knowing it ) , they felt such an enthusiasm for ideas that they conferred upon intelligence ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth