The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 101
... vision and the distant vision of which physiology speaks are not notions that depend chiefly on measurable factors , but are rather two distinct ways of seeing . If we take up an object , an earthen jar , for ex- ample , and bring it ...
... vision and the distant vision of which physiology speaks are not notions that depend chiefly on measurable factors , but are rather two distinct ways of seeing . If we take up an object , an earthen jar , for ex- ample , and bring it ...
Pagina 112
... vision.1 The point of view has been retracted , has placed itself farther from the object , and we have passed from proximate to distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the ...
... vision.1 The point of view has been retracted , has placed itself farther from the object , and we have passed from proximate to distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the ...
Pagina 114
... vision , those side - views " from the tail of the eye " which represent the height of disdain . Thus , the third dimension disappears and the field of vision tends to convert itself entirely into surface . This is what the successive ...
... vision , those side - views " from the tail of the eye " which represent the height of disdain . Thus , the third dimension disappears and the field of vision tends to convert itself entirely into surface . This is what the successive ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth