The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 101
Indeed , the proximate vision and the distant vision of which physiology speaks
are not notions that depend chiefly on measurable factors , but are rather two
distinct ways of seeing . If we take up an object , an earthen jar , for example , and
...
Indeed , the proximate vision and the distant vision of which physiology speaks
are not notions that depend chiefly on measurable factors , but are rather two
distinct ways of seeing . If we take up an object , an earthen jar , for example , and
...
Pagina 112
When it lights on something , it does not fix upon it , and , consequently , that
something is converted , not into a round body , but into a mere surface that
intercepts vision . The point of view has been retracted , has placed itself farther
from the ...
When it lights on something , it does not fix upon it , and , consequently , that
something is converted , not into a round body , but into a mere surface that
intercepts vision . The point of view has been retracted , has placed itself farther
from the ...
Pagina 114
If we eliminate this - for example , by blinking the eyes - we have only oblique
vision , those side - views “ from the tail of the eye ” which represent the height of
disdain . Thus , the third dimension disappears and the field of vision tends to ...
If we eliminate this - for example , by blinking the eyes - we have only oblique
vision , those side - views “ from the tail of the eye ” which represent the height of
disdain . Thus , the third dimension disappears and the field of vision tends to ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |