The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 79
... vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside the hunter that ...
... vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside the hunter that ...
Pagina 138
... vital , pre- intellectual verity . Goethe thinks of his life under the image of a plant , but he feels it , he is it , as a dramatic preoccupation with his own self . I am afraid that this botanism of Goethe as a thinker makes him ...
... vital , pre- intellectual verity . Goethe thinks of his life under the image of a plant , but he feels it , he is it , as a dramatic preoccupation with his own self . I am afraid that this botanism of Goethe as a thinker makes him ...
Pagina 153
... vital program , our " entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us when he urges us ...
... vital program , our " entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us when he urges us ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth