The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 137
... vital " in juxtaposition , as my formula proposes . No one , in short , has talked about my " ratio - vitalism . " And even now , after I have emphasized it , how many can understand it , can understand the Critique of Vital Reason ...
... vital " in juxtaposition , as my formula proposes . No one , in short , has talked about my " ratio - vitalism . " And even now , after I have emphasized it , how many can understand it , can understand the Critique of Vital Reason ...
Pagina 138
... vital , pre- intellectual verity . Goethe thinks of his life under the image of a plant , but he feels it , he is it , as a dramatic preoccupation with his own self . I am afraid that this botanism of Goethe as a thinker makes him ...
... vital , pre- intellectual verity . Goethe thinks of his life under the image of a plant , but he feels it , he is it , as a dramatic preoccupation with his own self . I am afraid that this botanism of Goethe as a thinker makes him ...
Pagina 140
... vital imperative , the has to be of personal vocation , situated in the most profound and primary region of our being . All the things of the intellect and the will are secondary , are actually a reaction pro- Ivoked by our basic being ...
... vital imperative , the has to be of personal vocation , situated in the most profound and primary region of our being . All the things of the intellect and the will are secondary , are actually a reaction pro- Ivoked by our basic being ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth