The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 79
Some vital interests that are not too narrow and oppressive are required for
organizing our contemplation; they must limit and articulate it by imposing upon it
a perspective of attention. With respect to the countryside the hunter that hunts for
...
Some vital interests that are not too narrow and oppressive are required for
organizing our contemplation; they must limit and articulate it by imposing upon it
a perspective of attention. With respect to the countryside the hunter that hunts for
...
Pagina 138
But this means only that the ideas which a man conceives are superficial
compared with his vital, pre- intellectual verity. Goethe thinks of his life under the
image of a plant, but he feels it, he is it, as a dramatic preoccupation with his own
self.
But this means only that the ideas which a man conceives are superficial
compared with his vital, pre- intellectual verity. Goethe thinks of his life under the
image of a plant, but he feels it, he is it, as a dramatic preoccupation with his own
self.
Pagina 153
We have, whether we like it or not, to realize our "personage," our vocation, our
vital program, our "entelechy"— there is no lack of names for the terrible reality
which is our authentic I. This means that living is essentially an imperative
basically ...
We have, whether we like it or not, to realize our "personage," our vocation, our
vital program, our "entelechy"— there is no lack of names for the terrible reality
which is our authentic I. This means that living is essentially an imperative
basically ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama eric bentley essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest jacques barzun less light LIONEL trilling literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth Velasquez vital vocation W. H. AUDEN Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |