The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 132
... vocation . Thus we can be true to our vocation to a greater or lesser degree , and consequently have a life that is authentic to a greater or lesser degree . If the structure of human life is viewed in this light , the most important ...
... vocation . Thus we can be true to our vocation to a greater or lesser degree , and consequently have a life that is authentic to a greater or lesser degree . If the structure of human life is viewed in this light , the most important ...
Pagina 148
... vocation and even that only in reference to what may be considered the axis of it . Adequate clar- ity concerning what is here suggested to the well - dis- posed reader , can only be achieved by developing the theory of vocation . 7 ...
... vocation and even that only in reference to what may be considered the axis of it . Adequate clar- ity concerning what is here suggested to the well - dis- posed reader , can only be achieved by developing the theory of vocation . 7 ...
Pagina 153
... vocation , our vital program , our " entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us ...
... vocation , our vital program , our " entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth