The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 133
How does he behave when faced with his inexorable vocation ? Does he subscribe to it basically ; or , on the contrary , is he a deserter from it , does he fill his existence with substitutes for what would have been his authentic life ?
How does he behave when faced with his inexorable vocation ? Does he subscribe to it basically ; or , on the contrary , is he a deserter from it , does he fill his existence with substitutes for what would have been his authentic life ?
Pagina 132
If “ vocation ” is not taken to mean what it commonly does - merely a generic form of professional occupation , of the civil curriculum - but to mean an integral and individual program of existence ...
If “ vocation ” is not taken to mean what it commonly does - merely a generic form of professional occupation , of the civil curriculum - but to mean an integral and individual program of existence ...
Pagina 146
But what was his authentic vocation ? I am not going to abuse your patience by de- veloping the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that a vocation ...
But what was his authentic vocation ? I am not going to abuse your patience by de- veloping the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that a vocation ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason seems seen sense sensibility soul space speak stand style things thought tion traditional truth turn understand universe vision vital vocation young youth