The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 146
... vocation . But what was his authentic vocation ? I am not going to abuse your patience by de- veloping the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that a vocation ...
... vocation . But what was his authentic vocation ? I am not going to abuse your patience by de- veloping the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that a vocation ...
Pagina 147
... vocation ! If one thing in the world is clear , this is that thing ! Certainly , it would be a fundamental error to believe that a man's vocation coincides with his most indisputable gifts . Schlegel said : " Where there is pleasure in ...
... vocation ! If one thing in the world is clear , this is that thing ! Certainly , it would be a fundamental error to believe that a man's vocation coincides with his most indisputable gifts . Schlegel said : " Where there is pleasure in ...
Pagina 153
... vocation , our vital program , our " entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us ...
... vocation , our vital program , our " entelechy " -there is no lack of names for the terrible reality which is our authentic I. This means that living is essentially an imperative basically opposite to that which Goethe proposes to us ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth