The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 42
... whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin to the odium professionis of medieval monks - that aversion , after long years of monastic ...
... whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin to the odium professionis of medieval monks - that aversion , after long years of monastic ...
Pagina 101
... whole background is blurred , hardly identifiable , without accented form , reduced to confused masses of color . If it is not something to which we are accustomed , we cannot say what it is , exactly , that we see in this indirect ...
... whole background is blurred , hardly identifiable , without accented form , reduced to confused masses of color . If it is not something to which we are accustomed , we cannot say what it is , exactly , that we see in this indirect ...
Pagina 115
... whole specific world of a new sort , distinct from the world revealed by the eye , and which emerges miraculously from the psychic depths . Clearly , then , there is no connection between the masses evoked by Cézanne and those of Giotto ...
... whole specific world of a new sort , distinct from the world revealed by the eye , and which emerges miraculously from the psychic depths . Clearly , then , there is no connection between the masses evoked by Cézanne and those of Giotto ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth