The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 17
... word is emptied of its customary meaning . That is to say , in the scale of realities " lived " real- ity holds a ... words , the human point of view is that in which we " live " situations , persons , things . And , vice versa ...
... word is emptied of its customary meaning . That is to say , in the scale of realities " lived " real- ity holds a ... words , the human point of view is that in which we " live " situations , persons , things . And , vice versa ...
Pagina 57
... words . What is the difference be- tween such a report and the novel itself ? Certainly not the style . The crucial ... word would be " pre- sentative . " The imperative of the novel is autopsy . No good telling us what a person is ...
... words . What is the difference be- tween such a report and the novel itself ? Certainly not the style . The crucial ... word would be " pre- sentative . " The imperative of the novel is autopsy . No good telling us what a person is ...
Pagina 61
... words and in this form holds no interest . A summary narration is not to our taste ; we want the novelist to linger ... word " episode " is absurd ; a work made of episodes would be like a meal composed of side dishes . ) And I ...
... words and in this form holds no interest . A summary narration is not to our taste ; we want the novelist to linger ... word " episode " is absurd ; a work made of episodes would be like a meal composed of side dishes . ) And I ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture DAVID RIESMAN definition DEHUMANIZATION OF ART Descartes destiny distance distant vision Don Quixote Dostoevski drama El Greco ERIC BENTLEY essay everything existence fact feel genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest JACQUES BARZUN less light literary live look magic man's masses means metaphor mind modern art NATHAN GLAZER never NOAH GREENBERG novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility soul Stendhal style substance things thought Tintoretto tion traditional truth universe Velásquez vital vocation W. H. AUDEN Weimar words young youth