Aesthetic as science of expression and general linguistic |
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Pagina 74
Feeling as But here it is not regarded in either of these two activity. meanings, nor
in the others which have also been conferred upon it to designate other cognitive
forms of the spirit, but only in that where feeling is understood as a special ...
Feeling as But here it is not regarded in either of these two activity. meanings, nor
in the others which have also been conferred upon it to designate other cognitive
forms of the spirit, but only in that where feeling is understood as a special ...
Pagina 249
But Heydenreich does not clearly grasp the cognitive character of art ; for in his
opinion sensations become objects of artistic representation either because they
are pleasing or, when not pleasing, because they are useful to further the moral ...
But Heydenreich does not clearly grasp the cognitive character of art ; for in his
opinion sensations become objects of artistic representation either because they
are pleasing or, when not pleasing, because they are useful to further the moral ...
Pagina 282
... midway between theoretical and practical activity, cognitive and yet not
cognitive, moral and indifferent to morality, pleasing yet wholly detached from the
pleasure of the senses. Great use of this power was made by Kant's immediate ...
... midway between theoretical and practical activity, cognitive and yet not
cognitive, moral and indifferent to morality, pleasing yet wholly detached from the
pleasure of the senses. Great use of this power was made by Kant's immediate ...
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Sommario
II | 11 |
second degreeNonexistence of other forms of cognition | 26 |
IV | 32 |
Copyright | |
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Parole e frasi comuni
abstract aesthetic activity aesthetic fact aestheticians ancient appear Aristotle artistic Asth Asthetik Baumgarten beauty called century character cognitive colours comic concept confused consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine empirical error ethical exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language laws Leibniz Leipzig Linguistic literary logical matter means metaphor metaphysical moral Naples object observations painting Patrizzi perfection philo philosophy Philostratus physical Plato pleasure Plotinus poet poetic poetica poetry practical principle problem produced pure reason reflexion relation representation reproduction Rhetoric Schiller scientific Scienza nuova sec sensation sense sensible Solger sometimes soul spirit sublime syllogisms taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Winckelmann words writers