Aesthetic as science of expression and general linguistic |
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INTUITION AND EXPRESSION Intuitive knowledge — Its independence with
respect to intellectual knowledge — Intuition and peiception — Intuition and the
concepts of space and time — Intuition and sensation — Intuition and association
...
INTUITION AND EXPRESSION Intuitive knowledge — Its independence with
respect to intellectual knowledge — Intuition and peiception — Intuition and the
concepts of space and time — Intuition and sensation — Intuition and association
...
Pagina 1
INTUITION AND EXPRESSION Knowledge has two forms : it is either intuitive
know- intuitive ledge or logical knowledge ; knowledge obtained through
knowledtl- the imagination or knowledge obtained through the intellect ;
knowledge of the ...
INTUITION AND EXPRESSION Knowledge has two forms : it is either intuitive
know- intuitive ledge or logical knowledge ; knowledge obtained through
knowledtl- the imagination or knowledge obtained through the intellect ;
knowledge of the ...
Pagina 12
II INTUITION AND ART and intuitive knowledge. Corollaries and BeFore
proceeding further, it may be well to draw explanations, certain consequences
from what has been established and to add some explanations. identity of art We
have ...
II INTUITION AND ART and intuitive knowledge. Corollaries and BeFore
proceeding further, it may be well to draw explanations, certain consequences
from what has been established and to add some explanations. identity of art We
have ...
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Sommario
II | 11 |
second degreeNonexistence of other forms of cognition | 26 |
IV | 32 |
Copyright | |
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Aesthetic as science of expression and general linguistic Benedetto Croce Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract aesthetic activity aesthetic fact aestheticians ancient appear Aristotle artistic Asth Asthetik Baumgarten beauty called century character cognitive colours comic concept confused consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine empirical error ethical exist expression external faculty feeling figurative arts genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language laws Leibniz Leipzig Linguistic literary logical matter means metaphor metaphysical moral Naples object observations painting Patrizzi perfection philo philosophy Philostratus physical Plato pleasure Plotinus poet poetic poetica poetry practical principle problem produced pure reason reflexion relation representation reproduction Rhetoric Schiller scientific Scienza nuova sec sensation sense sensible Solger sometimes soul spirit sublime syllogisms taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Winckelmann words writers