Popular Culture: The Metropolitan ExperienceRoutledge, 1 giu 2002 - 260 pagine Iain Chambers approaches the often overlooked details and textures of popular culture through a series of histories which show how it becomes continually remade as each of us defines our own urban space. |
Sommario
Urban times | 17 |
and urban pastimes | 29 |
Inside the present | 41 |
A world of images | 69 |
National views | 79 |
Other visions screens and pleasures | 95 |
From music hall to Hitsville | 129 |
Other sounds other worlds | 139 |
Sounds of youth | 151 |
In these times | 183 |
framing culture | 200 |
Further materials | 222 |
228 | |
235 | |
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Parole e frasi comuni
advertising aesthetics already American appear audience became become blues body Britain British centre century cinema clubs connections constructed contemporary continually critics daily dance developed early economic effects English established example existed experience fashion film forces forms frequently further hall Hollywood housing idea ideology images important increasingly industry inside intellectual involved James jazz John knowledge language largely late later limits living London longer magazines male Marxism mass meaning movement native naturalism night objects offered once opened particular photography played pleasure political Pop Art pop music popular culture popular music possible present previously produce radio reading reality record remained represented rhythms rock screen sense sexuality signs social society soul sounds space story street structure style subsequent success suggest tastes television traditional turned urban women working-class youth