The Works of Shakespeare, Volume 4 |
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Pagina 9
Marina stands ' flower - like among her flowers ' like Perdita , and reads the poisonous tenderness of a jealous foster - mother , like Imogen . The meeting of Pericles with Thaisa and with Marina is drawn with as profound a feeling for ...
Marina stands ' flower - like among her flowers ' like Perdita , and reads the poisonous tenderness of a jealous foster - mother , like Imogen . The meeting of Pericles with Thaisa and with Marina is drawn with as profound a feeling for ...
Pagina 110
POSTHUMUS LEONATUS , a gentleman , husband to Imogen . BELARIUS , a banished lord , disguised under the name of Morgan . GUIDERIUS , ARVIRAGUS , sons to Cymbeline , disguised under the names of Polydore and Cadwal , supposed sons to ...
POSTHUMUS LEONATUS , a gentleman , husband to Imogen . BELARIUS , a banished lord , disguised under the name of Morgan . GUIDERIUS , ARVIRAGUS , sons to Cymbeline , disguised under the names of Polydore and Cadwal , supposed sons to ...
Pagina 111
... the purity of Imogen . In our own century it has captivated readers rather than audiences . Its beautiful extravagance commended it to the Romantic school , and it helped to furnish forth the plot of Coleridge's Zapolya ( 1817 ) .
... the purity of Imogen . In our own century it has captivated readers rather than audiences . Its beautiful extravagance commended it to the Romantic school , and it helped to furnish forth the plot of Coleridge's Zapolya ( 1817 ) .
Pagina 112
... Fleay has applied this argument , with little mitigation of its nakedness , to prove that the quasihistorical portion was written in 1606 , some three years before it was turned to account as a framework for the Romance of Imogen .
... Fleay has applied this argument , with little mitigation of its nakedness , to prove that the quasihistorical portion was written in 1606 , some three years before it was turned to account as a framework for the Romance of Imogen .
Pagina 113
Imogen , like Hamlet , is ' craven'd ' by the ' prohibition so divine against selfslaughter ' ( iii.4.78 ) . And the internal evidence connects Cymbeline very closely with The Winter's Tale and The Tempest , neither of which can be ...
Imogen , like Hamlet , is ' craven'd ' by the ' prohibition so divine against selfslaughter ' ( iii.4.78 ) . And the internal evidence connects Cymbeline very closely with The Winter's Tale and The Tempest , neither of which can be ...
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Attendants bear better Boult bring brother Camillo comes court Cymbeline daughter dead death doth Enter Exeunt Exit eyes fair father fear Fish follow fortune Gent give gods gone grace hand hast hath hear heart heaven hence Hermione highness honour hope I'll Iach Imogen Italy keep kind king knight lady leave Leon less live look lord lost master mean mistress nature never noble Paul Pericles play poor Post Posthumus pray present prince probably Pros queen SCENE seems serve Shakespeare sleep speak spirit stand story strange sweet tell thank thee there's thing thou thou art thought true wife worthy