Shakespeare Studies, Volume 39Susan Zimmerman, Garrett Sullian Fairleigh Dickinson Univ Press, 31 ott 2011 - 299 pagine |
Sommario
9 | |
Introduction | 23 |
Economies of Nature in Shakespeare | 32 |
The Preternatural Ecology of A Lovers Complaint | 43 |
Shakespeares Globe and Englands Woods | 54 |
Vegetable Memorabilia | 64 |
Shakespeare | 74 |
Shakespeares Beach House or The Green and the Blue | 84 |
Mount Hecla and Hamlets | 152 |
Hamlet and Consumer Culture | 188 |
Christian and Jew | 211 |
Margreta de Grazia Hamlet without Hamlet | 221 |
Global | 228 |
Maurophilia and | 236 |
Literature | 246 |
Jeffrey Knapp Shakespeare Only | 253 |
Cognitive Ecology as a Framework for Shakespearean | 94 |
Shakespeare the Limits | 104 |
Venus on the Thames | 117 |
The French Source of the Earliest Surviving Arabic Hamlet | 133 |
Politics | 257 |
Tiffany Stern Documents of Performance in Early Modern | 274 |
Gustav Ungerer The Mediterranean Apprenticeship | 290 |
Parole e frasi comuni
Abdu Abdu's actors Arabic Arden argues audience Berger's Bruno Latour Cambridge University Press century chapter Christian claim cognitive ecology contemporary context critical cultural diplomatic discussion distributed cognition Drama dreams Dumas Early Modern England early modern period earth ecocriticism ecology edition English environment essays fictional figure Forman French Fuchs genre Ghost Globe Grazia green Hamlet Henry human Iceland imagine John King King Lear Laertes Latour Lawrence Buell Lear lines literary literature London Lover's Complaint Macbeth material medieval ment Merchant Merchant of Venice Moorish Mount Hecla Mucedorus narrative nature Oxford Patrick's purgatory performance perhaps Pericles plants play play's playbook playhouse plot poem political purgatory quarto readers reading Renaissance scene Shake Shakespeare Studies sixteenth social sonnet 15 Sonnets space Spain Spanish Spanish Tragedy speare stage suggests tapestries textual theater theatrical things tion tragedy tragicomedy trans translation Venus woodland writing