Women's Indian Captivity NarrativesPenguin, 1 nov 1998 - 400 pagine Enthralling generations of readers, the narrative of capture by Native Americans is arguably the first American literary form dominated by the experiences of women. The ten selections in this anthology span the early history of this country (1682-1892) and range in literary style from fact-based narrations to largely fictional, spellbinding adventure stories. The women are variously victimized, triumphant, or, in the case of Mary Jemison, permantently transculturated. This collection includes well known pieces such as Mary Rowlandson's "A True History" (1682), Cotton Mather's version of Hannah Dunstan's infamous captivity and escape (after scalping her captors!), and the "Panther Captivity", as well as lesser known texts. As Derounian-Stodola demonstrates in the introduction, the stories also raise questions about the motives of their (often male) narrators and promoters, who in many cases embellish melodrama to heighten anti-British and anti-Indian propaganda, shape the tales for ecclesiastical purposes, or romanticize them to exploit the growing popularity of sentimental fiction in order to boost sales. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. |
Dall'interno del libro
Risultati 1-5 di 46
Pagina xxiii
... person as if by Howe , the editors " traffic " in her text by making her body a focal point of the narrative ( Castiglia , p . 80 ) . In this way , they convert the Indian captivity narrative into another eighteenth- century fiction ...
... person as if by Howe , the editors " traffic " in her text by making her body a focal point of the narrative ( Castiglia , p . 80 ) . In this way , they convert the Indian captivity narrative into another eighteenth- century fiction ...
Pagina xxiv
... person by the anonymous author of the entire document , and another written in the first person because it was " received from [ her ] lips . " This double echo reinforces Godfrey's propagandist role as vic- timized wife and mother and ...
... person by the anonymous author of the entire document , and another written in the first person because it was " received from [ her ] lips . " This double echo reinforces Godfrey's propagandist role as vic- timized wife and mother and ...
Pagina xxvi
... person and given a named female author should be taken at face value . For example , at least five of the narratives were edited , written , published , or circulated with ecclesiastical oversight . Rowlandson's A True History and the ...
... person and given a named female author should be taken at face value . For example , at least five of the narratives were edited , written , published , or circulated with ecclesiastical oversight . Rowlandson's A True History and the ...
Pagina xxxii
... : Scarecrow , 1987-93 . - . White into Red : A Study of the Assimilation of White Persons Captured by Indians . Metuchen , N.J .: Scarecrow , 1973 . Henwood , Dawn . " Mary Rowlandson and the Psalms xxxii SUGGESTIONS FOR FURTHER READING.
... : Scarecrow , 1987-93 . - . White into Red : A Study of the Assimilation of White Persons Captured by Indians . Metuchen , N.J .: Scarecrow , 1973 . Henwood , Dawn . " Mary Rowlandson and the Psalms xxxii SUGGESTIONS FOR FURTHER READING.
Pagina 14
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Sommario
MARY ROWLANDSON | 1 |
HANNAH DUSTAN | 53 |
ELIZABETH HANSON | 61 |
PANTHER CAPTIVITY | 81 |
JEMIMA HOWE | 91 |
MARY KINNAN | 105 |
MARY JEMISON | 117 |
MARY GODFREY | 211 |
SARAH F WAKEFIELD | 235 |
EMELINE L FULLER | 315 |
EXPLANATORY NOTES | 339 |
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Parole e frasi comuni
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