-Etc.

5. Re-copy Example A, employing a different stave for each part, to which add expression and phrasing-marks, shewing the exact interpretation of the music. Give your reasons for such.

6. Transcribe and add marks of expression to bars 9 and 10 of the Introduction to Beethoven's op. 13; also to bars 1-8, and 17-22 of the Adagio cantabile (Quote melody only). Give your reasons for such, as before.

7. Should every note in the first 48 bars of Beethoven's op. 2 No. 1 be played in strict time? If not, quote exceptions, and explain them.

HARMONY.

Professor Marshall-Hall.

FOR PASS AND HONOUR CANDIDATES.

1. Write down the following Intervals:— (a) An Augmented Second from

(b) A Diminished Seventh and Third from—

2. Write three parts in close position below Example A, and above Example B, using only Triads in root position.

EXAMPLE A.