Synectics: The Development of Creative Capacity |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 17
I wind it up and I let it unwind . . . of course the most elegant solution would be to
have a dial . . . no gears . My God , there must be two hundred gears in this model
! I don ' t want any gears . That ' s of course impossible , but just the same , how ...
I wind it up and I let it unwind . . . of course the most elegant solution would be to
have a dial . . . no gears . My God , there must be two hundred gears in this model
! I don ' t want any gears . That ' s of course impossible , but just the same , how ...
Pagina 22
In the course of the experiment , members of the Rock Pool group won many
prizes , including the Tiffany prize for painting , several graphic arts prizes , and
numerous awards for silver work , sculpture , and ceramics . All but one of the ...
In the course of the experiment , members of the Rock Pool group won many
prizes , including the Tiffany prize for painting , several graphic arts prizes , and
numerous awards for silver work , sculpture , and ceramics . All but one of the ...
Pagina 34
For work on a problem to get started , some concrete assumptions must be made
, although in the course of the problem - stating , problem - solving process , the
understanding of the problem may change . It is the function of the mind , when ...
For work on a problem to get started , some concrete assumptions must be made
, although in the course of the problem - stating , problem - solving process , the
understanding of the problem may change . It is the function of the mind , when ...
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Sommario
Introduction | 3 |
THE OPERATIONAL MECHANISMS | 33 |
SYNECTICS IN THE INDUSTRIAL MODEL | 57 |
Copyright | |
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ability accept activity actual Analogy apparent artist attempt basic become build candidate client closed commonplace concept concrete conscious constructive continually course creative process described developed Direct effective effort elements example experience fact familiar Fantasy feeling force function give given hand hold human idea identified imagination implied individual industrial insight instance interview intuition invention involved irrelevant kind language lead learned logical London look mean mechanisms metaphor mind nature Object observed operational paint person phase play possible potential practice present Press problem problem-solving psychological response result roof selection sense sessions solution spring strange success Symbolic Synectics group Synectics theory Synectors tapes technical technique theory things tion turn understand understood University viewpoint whole York