Synectics: The Development of Creative Capacity |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 30
We have experimented with metaphors which involve expressed or implied
comparisons between relatively “ like ” things or states ; “ Wiring a building
should be like plumbing , " as well as with metaphors which have the shock value
of ...
We have experimented with metaphors which involve expressed or implied
comparisons between relatively “ like ” things or states ; “ Wiring a building
should be like plumbing , " as well as with metaphors which have the shock value
of ...
Pagina 66
Can : The first week in the foundry a couple of ways we were doing things
seemed terribly slow to me so I talked to the foreman about them and the two of
us figured out simpler techniques . . . but when I ' d been there a while I became ...
Can : The first week in the foundry a couple of ways we were doing things
seemed terribly slow to me so I talked to the foreman about them and the two of
us figured out simpler techniques . . . but when I ' d been there a while I became ...
Pagina 107
when two relatively unlike things ( “ my love ” and a “ red , red rose ” ) have
qualities attributed to each other . Simile shares with metaphor a two - directional
motion . It does not simply attribute the qualities of the rose to my love but also
refines ...
when two relatively unlike things ( “ my love ” and a “ red , red rose ” ) have
qualities attributed to each other . Simile shares with metaphor a two - directional
motion . It does not simply attribute the qualities of the rose to my love but also
refines ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
Introduction | 3 |
THE OPERATIONAL MECHANISMS | 33 |
SYNECTICS IN THE INDUSTRIAL MODEL | 57 |
Copyright | |
3 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
ability accept activity actual Analogy apparent artist attempt basic become build candidate client closed commonplace concept concrete conscious constructive continually course creative process described developed Direct effective effort elements example experience fact familiar Fantasy feeling force function give given hand hold human idea identified imagination implied individual industrial insight instance interview intuition invention involved irrelevant kind language lead learned logical London look mean mechanisms metaphor mind nature Object observed operational paint person phase play possible potential practice present Press problem problem-solving psychological response result roof selection sense sessions solution spring strange success Symbolic Synectics group Synectics theory Synectors tapes technical technique theory things tion turn understand understood University viewpoint whole York