Affect, Creative Experience, and Psychological Adjustment

Copertina anteriore
Sandra Walker Russ
Psychology Press, 1999 - 244 pagine
Previously neglected, more and more affect and creativity is recognized as an area that is important and exciting area to investigate. This book presents the very latest ideas and research by leaders in the field about the role of affect in the creative process. Affect, Creative Experience and Psychological Adjustment is an arena where new theories and concepts can be presented, research findings compared and discussed, methodological issues debated, and future research outlined. Key questions in affect and creativity focus on identifying specific affective processes that are most important in creativity, discovering the underlying mechanisms that account for the relationships between affect and creativity, exploring differential effects of various types of affect, such as positive and negative affect, on creativity and understanding how these things relate to psychological adjustment. As with any new line of research investigation, there is a fermenting of ideas, speculations, research findings, hunches, methodological issues and tests of theoretical models that evolves into a clear vision of heuristic theoretical models and identification of the most important research questions. This book contributes to that process in the area of affect and creativity.
 

Sommario

On the Relationship Between Affect and Creative
3
The Dopamine Hypothesis
12
The View From
19
Review of the Research on Mood and Creativity
25
A Theory of Mood Effects on Creative Problem
32
Chapter 3
41
Positive and Negative Affect in Creativity
66
Affect In Artistic and Scientific Creativity
93
The Model
149
Implications Applications and Conclusions
157
104
160
PART THREE
163
Adulthood
171
Creativity as Interpretation
178
Necessity is Not
185
Beauty as a Force
195

Conclusion
104
Images of Self
109
The Present Study
115
94
118
Conclusion
126
Awareness of Experience Through Affect
136
Affect and Attention in Creativity Through Deep
142
An Evolution of Information
204
The Sublime
210
Creativity Bipolarity and the Dynamics of Style
221
A Model of the Dynamics of Affect and Cognitive
228
Conclusion
234
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