Italian Pulp Fiction: The New Narrative of the Giovani Cannibali WritersStefania Lucamante Fairleigh Dickinson Univ Press, 2001 - 219 pagine Since 1996, a group of young, innovative writers dubbed the 'Giovani Cannibali' has generated popular and critical attention in Italy. This book introduces the works of the 'Cannibali' writers Aldo Nove, Isabella Santacroce, amd Niccolo Ammaniti- among others- to Anglophone readers. It also initiates an in-depth discussion of te dynamics that allowed for this particular group of the mid-1990s to stimulate a profound evolution in the form and very ethics of modern Italian literature. |
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Italian Pulp Fiction: The New Narrative of the Giovani Cannibali Writers Stefania Lucamante Visualizzazione estratti - 2001 |
Parole e frasi comuni
aesthetic Aldo Nove Aldo's Alright Andrea De Carlo artistic authors avant-garde Ballestra become Berisso blood body Brizzi Brolli cage Cannibali writers canon Castelvecchi characters construction consumerism critics desire discourse Edoardo Sanguineti Einaudi elements Emanuele Emanuele's ethical expression female Cannibali feminine Feminism feminist Fluo fuck gender genre Giovani Cannibali Gioventú cannibale girl horror human Isabella Italian literary Italian literature Italian narrative Italian Pulp Italo Calvino Italy Iva Zanicchi jargon kangaroo language lemmas lexical lexicon linguistic Little Red Ridinghood look male mass culture Melania Milan narrators Niccolò Ammaniti Nove's novel Nunzia phenomenon Pino Daniele political pornography postmodern protagonist Pulp Fiction readers reality Rome Sanguineti Santacroce's sense Seratina Sergio sexual shit Simona social society splatter Starlet Stefania Lucamante stories stylistic tàra tattà tatàtta television things tion Tiziano Scarpa traditional transvestite Turin utilized virtual woman women Woobinda
Brani popolari
Pagina 43 - The European avant-garde movements can be defined as an attack on the status of art in bourgeois society. What is negated is not an earlier form of art (a style) but art as an institution that is unassociated with the life praxis of men.