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PRELIMINARY Artists Critics and Philosophers
Methods of Approach
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activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association attitude body called certainly chapter character classicism cognition colours complex conscious contemplation course criticism Croce degrees difficult discuss drama effects embodied emotions essential evil example exist fact feeling fulfilment functional fused hand human I. A. Richards Ibid idea images imagination imitation implies important inspiration interest kind knowledge Lascelles Abercrombie Macbeth mathematical proof matter meaning mental merely mind moral nature organic painting perceived object perception perfection perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological Psychology of Beauty question realise reality relation revealed romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological tendency term terminal object theory things tion tragedy true truth unity unpleasant values vision words