AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
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Pagina 96
... syllables . There are pauses of various durations between and even within words , and the syllables themselves vary in the time that their sounds occupy , so that the temporal pattern is not exclusively that of the number of syllables ...
... syllables . There are pauses of various durations between and even within words , and the syllables themselves vary in the time that their sounds occupy , so that the temporal pattern is not exclusively that of the number of syllables ...
Pagina 122
... syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time ...
... syllables in English words , and some of the more obvious requirements made by conventional English accent on particular syllables . The word sessions , for example , requires an accent on the first syllable ; it also requires more time ...
Pagina 129
... syllables , because it does not require accent all of the time to mark the measures or their divisions ; it never requires substitution of one sort of foot for another , because its constituent parts are not feet made up of counted ...
... syllables , because it does not require accent all of the time to mark the measures or their divisions ; it never requires substitution of one sort of foot for another , because its constituent parts are not feet made up of counted ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words