Philip Hale's Boston Symphony Programme Notes: Historical, Critical, and Descriptive Comment on Music and Composers

accompaniment adagio allegro andante appears Autes bass bassoons beautiful Beethoven begins Born Brahms called changes character chief theme chords clarinets completed composer composition concert conducted cymbals dance death December dedicated died double drum expression figure finale flat major flutes follows four give given harp hear heard horns idea introduction Italy kettledrums later leads Liszt lived London major March measures melody Mendelssohn ment minor molto motive movement Mozart nature never night oboes once opening opera orchestra original overture Paris passages performance phrase pianoforte piccolo piece played poem produced programme published repeated rhythm scene scherzo Schumann score second theme short solo song sound spirit strings suggested suite symphony taken thing third thought three trombones trumpets tuba variation violas violins violoncellos Wagner whole wind wood-wind write written wrote