Three Centuries of French Poetic Theory: A Critical History of the Chief Arts of Poetry in France (1328-1630) |
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Pagina 41
The Middle French writers , and , later on , Clément Marot and his contemporaries , were less scrupulous . The Provençal poets employed various line lengths , the twelve syllable being the usual maximum . The dodecasyllable was more ...
The Middle French writers , and , later on , Clément Marot and his contemporaries , were less scrupulous . The Provençal poets employed various line lengths , the twelve syllable being the usual maximum . The dodecasyllable was more ...
Pagina 61
The fusion of the half - chanson with the balada or ballette provides all the elements of the Middle French ballade , three strophes of identical structure and rimes ending in a single refrain , plus an envoi of varying length repeating ...
The fusion of the half - chanson with the balada or ballette provides all the elements of the Middle French ballade , three strophes of identical structure and rimes ending in a single refrain , plus an envoi of varying length repeating ...
Pagina 223
The rondeau , in its several varieties , triolet or rondeau simple , rondeau , bergerette , rondeau double , rondeau redoublé , seems to have occupied in Middle French times the place which the Renaissance gave to the sonnet .
The rondeau , in its several varieties , triolet or rondeau simple , rondeau , bergerette , rondeau double , rondeau redoublé , seems to have occupied in Middle French times the place which the Renaissance gave to the sonnet .
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Sommario
PRELIMINARY DISTINCTIONS | 3 |
MEDIEVAL LATIN AND PROVENÇAL POETICS | 13 |
WORKS EXCLUSIVE OF THOSE IN ITALIAN RELATING | 18 |
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Three Centuries of French Poetic Theory: A Critical History of the Chief ... Warner Forrest Patterson Visualizzazione estratti - 1935 |
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